A Winter's Tale
Winner ‘Best Musical’ Off-West End Theatre Awards 2012
Commissioned for the opening of The Sage, Gateshead, December 2005
“How Easy it is.. when you are you young
To change the world completely with a single kiss
How easy it is, that childlike state
Where youth and hope entwined can lead to this: A bond restored that once was lost
A sea of separation crossed
Whatever fate may yet unfold
A mother lives, a child’s consoled
Though icy storms may yet prevail
Who would not smile to ell the tale?
Who would not hear our winter’s tale?”
“It’s very typical of the composer – to my mind (and ears) the best contemporary British composer of musicals we have – to take a problem play and turn it into a glorious opportunity. He writes melodies with aching undercurrents and compressed emotions that are perfect for distilling the essence of this troubled, troubling play of marital suspicion and bad conscience that seemingly fatally undermines a happy marriage. There’s also a rich seam of fantasy and wonder as his abandoned daughter grows up to fall in love with the son of the man he suspected of adultery with his wife”
[Mark Shenton, The Stage, 3thNov 2012]
Goodall’s score is remarkable; he has a masterful command of harmony and remains lyrically bold. The opening number, Comrades, almost fugue-like in style, is an exceptionally powerful opener, while the lyrical gem Found On A Beach has to be up there with Goodall’s best.
[Edward Theakston, Fourthwall, 18th Nov 2012]
Act One takes place in a totalitarian state in the early 1950s, somewhere not unlike Soviet Ukraine or Gheorghiu-Dej’s Romania. A winter of discontent.
Act Two takes place 16 years later in a neighbouring, more liberal state, on the sun-parched shores of a warm sea, perhaps like Papandreou’s Greece, or Tito’s Yugoslavia. The second generation awaken a summer of love….
Performance licence from Faber Music here.